Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Wednesday, November 26, 2008

Desperately seeking a good book!

Help!

In what perhaps is the most ultimate of ironies, here I am, a librarian without a good book to read!

Every single day, I unite readers with books. I relish finding that perfect book for someone. Reader’s Advisory (that nice librarian term for recommending books for patrons) is one of my favorites aspects of my career- it’s the sweet slice of pie topped with whipped cream to my dinner plate of a work day (can you tell Thanksgiving is around the corner?).

There’s just nothing better to me than spending time talking with a patron about the books they’ve loved, the ones they’ve hated, and the ones that were just so-so, then taking all that information, wrapping it around in my mind and flipping through my mental book catalog to find the perfect book for that unique patron. I like seeing the interest and curiosity on patrons’ faces as they contemplate a new book- and I really love it when they come back and tell me how much they loved it!

Yet, despite all this, I’ve been having a hard time finding a book for myself to read. Its not that I haven’t been reading- goodness, no!- but its that I haven’t found a book that resonates with me. You know the books I mean. They are the books you keep for years on end, the pages thin at the edges from repeated turnings, the spines cracked from frequent re-reads. They are the books you can’t stop thinking about for days after you finish the book, the ones you instantly tell all your friends about so they can read it, too. It has been a long time since I found one of those books.

So, I need help. Dear readers, what are your favorite books? What books speak to you? What books do you think everyone should read- especially me?

I look forward to all your suggestions, and to be fair, I, too, will be posting my personal favorite books up soon as well.

Have a wonderful day!

Wednesday, October 24, 2007

Lisey's Story by Stephen King


I have long been a fan of Stephen King. When I first started reading him way back in the seventh grade some countless years ago, I was looking for a type of terrifying read I couldn't find in any R.L.Stein book. King's books fairly shivered with fear. He captured horror on the page with the pen of a master, making ordinary things objects of sheer terror- cars, paintings, periods, and coke machines, just to name a few. I started with Carrie, and quickly followed with Salem's Lot, The Shining, Rose Madder, and The Stand, among others, in rapid succession.

What I didn't realize at first, and indeed, what is so often overlooked in King's writing is that which makes him a true master of his craft: it is not so much the horror of the situations he creates that terrify us, but rather it is the truth of his characters that carries the thrill. His characters seem so much like ourselves and our friends and our families that when they experience situations of sheer horror, we feel like we ourselves are suffering that very same terror.

Simply think about it: In all the great Stephen King novels, it is a character that pulls you in. Think of Carrie, the abused prom queen with terrifying powers. Think of Dolores Claiborne, that proud, strong, stubborn narrator of the book of the same name. What of poor, beleaguered and tortured writer Paul Sheldon, whose miserable experience we followed in Misery? Would any of these books be compelling if the characters were not people we could relate to?

Yet, for all that King’s past novels have carried this incredible power of character, it is in his latest novel that this talent truly shines. Lisey's Story is a poignant and powerful tale of love, carried on the shoulders of the memorable characters that live inside the novel.

The book opens with Lisey sorting through her husband Scott's belongings. Scott was a writer of world renown, and it is only two years after his death that Lisey has the heart to begin the arduous process of sorting through Scott's office, the one space that truly lives and breathes her husband's memory. As she browses through decades worth of magazines, journals and books that Scott contributed to, she is reminded of their past, of their life together. We, the reader, are treated to a journey of memories: harrowing, loving, and bittersweet memories, an accumulation of a lifetime spent together. We meander through first meetings, author tours, lover's talk, and even an attempted assassination.

Journeying with Lisey through her memories, an image of the love she and Scott shared is built. We see how a life is built together, each experience lending itself a new layer to a growing relationship. We learn of their secrets: lovers’ chats, secret words, painful moments, anger-filled fights. We even see how love endures, even after Scott’s death, with Lisey finding small, private jokes popping up in unexpected places in Scott’s office for Lisey to find.

And yet, as this is a book by the master of horror, there is an underlining to the story, a slow seeping otherness that shadows Scott and Lisey's life. It is Boo'ya Moon, a strange otherworldly place where Scott visits, seemingly for both escape and inspiration. It is a place of heart-wrenching beauty and unnamed horror waiting in the shadows. As much as Scott finds the wellspring of creativity in Boo'ya Moon, he finds an age-old demon that haunts him until his death. Lisey, both to bring closure to her life, and to reach out one more time to Scott's memory, travels to Boo'ya Moon, to conquer the demons, both real and imaginary, once and for all.

Between the exquisitely touching relationship of Scott and Lisey and the strangeness of Boo'ya Moon, this is a book to savor and enjoy. I found myself rereading passages, drinking in the words. Some pages thrilled me with scenes of slow drawn horror, others wooed me with sweet romance; my heart broke in some places, and my soul sobbed in others. When I turned the last page, it was with infinite sadness, for Lisey had become a dear friend, and I was distraught to let her go. It is a rare book indeed that can inspire such heights of emotion, and an even rarer author who can craft such a novel. It is with this book that Stephen King shows truly that horror is not the only thing he is a master of- he is a Master of Words, of Stories, of Characters, and Truth. I look forward to the next journey he takes me on.

Friday, June 22, 2007

Summer Reading Begins!

Ah, Summer has returned. The sun shines bright in the sky, brilliant in its golden haze, the heat washes over the land in warm balmy waves, and people rejoice in all the light, greenery and warmth. Well, most people do, but as for myself, this becomes my huddle and hide season. During the summer, I love nothing more than to avoid the sun and heat, and curl up inside- with air conditioning!- and read a good book. I'm just not made for the heat, I suppose- I did grow up in an Arctic Climate (Iceland, anyone?) after all, but that's a story for another day!

Summer provides ample opportunities to indulge in my favorite activity, reading, but my reading is slightly altered during these summer months. As a children's librarian, I feel its my duty (okay, it's really a joy!) to immerse myself in all the new children's literature with an occasional classic thrown in for good measure. After all, summer is the one time of year kids have the chance to read for themselves, and I love being able to converse with my patrons about good books, ones they've read and ones I've read. Its one of the wonderful perks of my job. Therefore, my summer reading list is quite varied, as I jump from genre to genre in an effort to read as much wonderful children's literature as possible before September rolls around.

So what exactly am I reading? This summer is proving especially diverse: I started off with the hot Young Adult title, Twilight by Stephanie Meyers. This was recommended to me by a patron, who said it was a great book, and she absolutely loved it. I have to admit, too, that it was a pretty good, rollicking read. A story of young love with a twist- the main love interest just happens to be a vampire! The story is filled with lush descriptions, some intense action scenes, and a healthy dose of angst-filled romance. Narrated from the first person point of view of Bella, the 17 year old heroine, the tone is both warm and amusing, I found myself reaching for the sequel, New Moon almost immediately, and am anticipating buying the third and final book, Eclipse in the next few weeks.

I followed Twilight with a jaunt into animal fantasy by reading Kenneth Oppel's Silverwing. I have to confess, of all the genres of literature out there, animal fantasy is my least favorite. I just can never wrap my mind around the concept of animals acting like humans. Yet, for all that I am not found of animal fantasy, Silverwing proved to be a rather good read. Once I accepted the fact that I was following the story of a young male bat named Shade, I was quite charmed with his heroic journey to join his colony after being separated from them during a horrible storm. The characters, for bats, were quite diverse and well rounded, the action was gripping, and the bits of mystery scattered about (what are those silver bands some bats have?) were gripping. I might, just might, pick up the other two volumes in this trilogy.

Next up is actually another jaunt into animal fantasy: Swordbird by Nancy Yi Fan. This book caught my eye because the author started writing the book when she was 13. The novel is turning into an interesting allegory for peace, using tribes of birds as representatives for the human race. The plot is compelling (how to maintain peace when war is threatening from all corners) and the writing is fairly well done- outstanding, in fact, when you consider the age of the author!

The next few weeks are being claimed by perhaps the biggest phenomenon of the summer for children's literature- Harry Potter. I am an avid fan, of course, and with the seventh and final book about to be released, I want to refresh my memory of all the wonderful twists and turns of the past six books. Already, I have kids coming into the library wanting to discuss theories (is Snape good or evil? Will Voldemort or Harry die? Who is RAB?). It is fantastic to see so many children involved in this book series, and wonderful that, thanks to Harry, many have opened their minds up to other books. Harry Potter might just be the reason we have such a strong generation of readers!

My reading list will continue to grow over the summer as kids and friends and coworkers tell me of must read books ( The Manny Files by Christian Burch just landed into my to-read pile!). It will be interesting to see what the summer brings (just so long as I don't have to go outside!).

Friday, May 4, 2007

Heart Shaped Box by Joe Hill

Heart Shaped Box is a hard novel to review. Not because it was a bad read, but because the author's background is hard to separate from the story. Joe Hill, soon after his book was published, was revealed to be the son of Stephen King. Some may say the revelation was a publicity stunt, and maybe it was on the publisher's part, but I do not believe this was Hill's desire. According to reports and interviews, Hill was careful not to tell his publishers exactly who he was until his manuscript was accepted on its own merits. I can respect and understand that: how can you know you are good if you are published on your father's laurels? Add in the fact that Heart Shaped Box is a ghost story and I believe Hill hands down. You have to be pretty blasted bold to write and publish a ghost story while hanging on your father's, the master of horror's, reputation.

So, for the moment, let us set aside the notion that Joe Hill is the son of Stephen King, and see how Hill stands on his on two feet.

Heart Shape Box opens on one of the most absurd, but logical premises: an aging rock star, Jude Coyne, (think an American Ozzy Osbourne, but one who was a little more sober) buys a ghost off an Internet auction site. Absurd, yes, but logical, too: after all, there seems to be EVERYTHING for sale on eBay. The ghost really does exist: a menacing figure of an old man, with disturbing black squiggles for eyes- as if a child scribbled on the eyes in a photograph with black marker. Yet, the ghost is no ordinary ghost, however, rather he is the ghost of the father of one of Jude's cast away girlfriends, and he's out for revenge.

What follows is a curvy, up and down ride of slow thrills and chills. Hill takes the simple yet absurd premise and builds up a tale of surprisingly chilling horror. Nothing is ever how it seems, neither Jude nor the ghost, the haunting or the haunted. The story itself takes off in directions not to be expected: for example, rather than stay and fight the ghost at home, Jude hits the road- if he has to fight a ghost, he'll fight it in his own way and time. The result is an enjoyable thrill ride, and a nagging feeling to check the eyes of any suspicious person for black scribbles.

Now, as mentioned above, Hill does have an impressive family background, and the question remains: how does he compare? The answer is simple, yet complex. Joe Hill stands on his own. If you read the book with no knowledge of who his father is, you would find it perfectly enjoyable: the writing is impressive, well composed; the plot is quirky, unique, enjoyable; the characters seem like old friends. Those same traits, though, are what his father is known for. Yet, rather than just being an imitation of King's style, Hill has shaped that style into a form of his own. The bones are the same, the delivery- excellently done- is all his own. It is obvious Hill learned on the knee of a master, but it is also apparent that Hill is a writer of his own merits- one to watch.

Bottom line: Joe Hill is a writer to watch, and his parentage just makes the package all the sweeter.

The Road by Cormac McCarthy

You may have heard of this book, The Road by Cormac McCarthy, it was recently selected for Oprah's Book Club. It was really amusing, actually, because the day before the book was announced, I ran across a review of the book, which reminded me I wanted to read this title due to the interesting concept, and I placed a hold at the library for it. Who knew that this grim little book would be Oprah's book choice?

And The Road is a a grim little book. It is sparse and dry, empty and full of quiet heartbreak. One does not smile reading this book. One does not feel joy reading this book. McCarthy paints a bleak future, where man hunts man and the world is dead. After closing the pages of this book, I felt tired and emotionally dead. The book left me feeling there was no hope in the world, if that was the end.

The story follows a nameless man and his son. In this future world, names do not matter, only survival. The man strives on only for his son: if he can stay alive, so can his son. The son is suppose to be a bright beacon. He still believes in good guys and honesty and something waiting at the end of the world. Yet the world this child walk through shows nothing to support this belief in good amd a future. The earth is dust, dry and barren. The few people encountered on the road are theives and cannibals. Starvation is a constant companion.

Yet, for all that the book is depressing and draining, it is compelling. Although you know there is no hope, it is written into the very landscape of the novel, you read on, hoping against hope for some ray of hope. The writing is crisp and smooth: McCarthy has a deft hand at words. If you are looking to go on a journey with a master storyteller, regardless of an outcome of sheer darkness, than this is a book to persue, but if you are simply wishing for a pleasent read, well, one might wish to look elsewhere.

Tuesday, April 17, 2007

Angelica by Arthur Phillips

On the surface, Angelica seems simple enough: a classic take on the Victorian ghost story, with a slight psychological twist. The plot revolves around a young mother in Victorian England who begins to suspect that her daughter is being haunted by a vengeful ghost. But what begins as a simple Victorian thriller spins out to be a complex and thought-provoking study of human relationships and the delicate nature of the human psyche.

The book starts from the point of view of Constance Barton. Her young daughter, Angelica, is finally being sent to stay in her own room, after having spent the first four years of her young life sleeping in her parents' room. The move is more traumatic to Constance as a mother than it is for her young daughter. Angelica is Constance's only child, after a painful series of ill-fated pregnancies. She also serves as Constance's protection from intimacy with her husband Joseph: Constance has been warned that having further children will kill her, and as a result she fears her husband's touch.

On Angelica's first night in her own room, Constance wakes in the middle of the night, feeling uneasy and bothered by a slightly noxious smell. She follows it to the door of her daughter's room, peers in and sees a ghostly sight: a faint blue glow hovering over her daughter. Thus begins Constance's battle with nightly terrors, and the reader's journey into wonder: What is Constance seeing? Is it truly a ghost? Is Constance stress and terror over the separation from her daughter causing hallucinations? Or is something even more sinister at work?

When Constance's story reaches its pinnacle, the novel takes an unexpected turn: the story turns back on itself, and begins again, only this time from the perspective of Anne Montague, a medium whom Constance called upon for help. Things first seen from Constance's perspective are now shown in a new light: conversations have a new depth, events a slight twist. Angelica's haunting is seen with a fresh eye and new suspicions: the mystery expands as new details are revealed. Anne's tale then spins to a close to reveal the same tale again, this time from Joseph's point of view. The book closes with the recollections of Angelica herself.

The effect of a story told in four parts, over and over again, from a different perspective is an unusual one: a fifth perspective is created. That fifth perspective is that of us, the reader. Following the tale as told by four separate voices, one cannot help but tell the tale to themselves, thus creating one's own private interprations of events. The result is a tale both engaging and thought provoking, one that will stay with a reader long after the book is done.

Angelica is one of those rare books that, when you close the cover on the final page, you can't help but see the world in a new light.